CSS Typografy
https://www.youtube.com/watch?v=agbh1wbfJt8
Several fields:
- Caligraphy: Escribir a mano con buena letra (focus legibilidad)
- Lettering: Escribir a mano con letra artística (focus composición)
- Typography: Use of premade definitions of letters
Several items:
- TypeFace: the design of a collection of characters
- ie: Helvetica, Futura...
- Font: Specific embodiment of a specific weight, witdh or style of a typeface
- ie: Helvetica bold 10pt
Goals:
- Legibility: How easy is to identify a character in a given typeface.
- Readability: How easy is to read because how the typefaces are used. Spacing between letters, words, lines, paragraphs...
- Accessibility: How adapted to diferent functional abilities of the readers
- Scanability: How it eases the read as blocks or locate random content.
Font face features affecting Legibility:
- Baseline: Serves as common reference for reading line where the lines rest.
- Cap-height: Height of the capital letters from the base line.
- X-height: The height of most lowercase, the higher the more legible
- Descender/ascenders: Letters that go down the baseline
- Descender: Letters that go down the baseline: q, p, g...
- Ascender: Letters that go up of the x-height: d, b, l, t...
- Matching Cap-height and ascenders might affect readability: Ill.
- Serifs: adornations of the endings of the main traces of the letters, might help readibility
- sans serif: a font that does not have
- Stroke contrast: diference in stroke thicknes depending on the orientation
- Counters: closed or semi-closed negative shapes. The smaller the harder to read.
- Adornments: Might distract from the character identification
- Density, quantity of ink in the paper
- Weight: both extreme light and extreme heavy weights are hard to read
Text features affecting Readability:
- Type size: too small is hard to read
- Type case: long text in all caps is hard to read
- Line spacing (leading): Distance between baselines.
-
Paragraph spacing: Added space between lines in different paragraphs (must be added to the leading)
-
Long lines: (>70chars) hard to follow and changing line.
- Short lines (<45 chars) interrupts too often the reading flow.
- Color Contrast: wcag 4.5:1 contrast
- Color blindnes (Red-Green, Blue-Yellow)
- Use browser tools to simulate it
Typefaces genres
- Serif
- Humanism (Janson, Kennerly Centaur):
- First printed works 1450
- diagonal stress
- small x height
- caligraphic
- unrefined serif
- Old-style (Palatino):
- 15 Century
- more x height
- serifs are wedge like
- less caligraphy style
- greater
- Transitional (Baskervile, Bookman) 18th cnetury
- Didone (Bodani, Didot) late 18th
- hight contrasts (thin horizontal
- classy
- Flat thin lines as serif
- Slab (Rockwell, Clarendon, Egyptienne)
- Thick slab-like serif
- Used in headers because the 'look at me'
- Humanism (Janson, Kennerly Centaur):
- Sans Serif
- Grotesque (Venus, News Gothic, Franklin Gothic, Akzidenz-Grotesk)
- early 19th (no sans, before that)
- low contrast
- low cap height (used in titles with many caps)
- Geometric (Futura, Gotham)
- 20s Alemania (Futuristas)
- Based on geometric shapes (circles, squares, straight lines).
- lowercase a, as a circle with a straight line adornation on the right
- Neo grotesque (Helvetica, Univers, Folio, Unica, Roboto. San Francisco (SF))
- 50s (Modernistas)
- Thiner and simpler than Grotesque
- Humanism Sans (Verdana, Tahoma, Trebuchet, Droid Sans, Lucida Grande)
- Inspiration on the classical roman letters for capitals.
- Inspiration on the italic script
- Uppercases from Monumental Roman
- swashes (decoracion exagerada)
- Grotesque (Venus, News Gothic, Franklin Gothic, Akzidenz-Grotesk)
- Scripts
- Formal:
- Based on scripts of writing masters from 17th and 18th centuries
- Casual:
- Modern script leters
- If constrast, simulates the writting device
- Formal:
- Display
- Decorative: Headers, Designs...
Resumen historico: https://www.youtube.com/watch?v=WVfRxFwVHQc
Numbers:
- Old style figures: Go down the baseline, good for read
- Lining figures: Same height and base
- Tabular figures: Same width so that digits are aligned (versus proportional figures)
Target users
- Monospace: designed for typerwriters but now used by developers, alignment of tabular data
Fix vs fluid layouts: Magazine is fix layout, while a web might depend on the device or the size or the window.
Font formats:
- OpenType (.otf): Recommended format
- TrueType (.ttf): Former standard, missing features of otf
- EOT (.eot): Microsoft, just for IE
- WOTT (.wott): Web forms compressed
- WOOT 2 (.wott2): A more compressed version, not fully supported in ie
- Scalable Vector Graphics (.svg):
Utility:
- Body typeface: La que se usa como base del texto denso. Focus en legibilidad.
- Display typeface: la que se usa para cabeceras, en tamaños grandes. Focus en expresividad, pero sin descuidar tampoco legibilidad.
Styles:
- Faux bold: is done by increasing the stroke width, this can be distort
- Faux italic: it is done by obliquing or slanting the font, this might distort the tone
Gradients of weight: thing, light, regular, semi-bold, bold, extra-bold
Tex size:
Horizontal space
Measure: how many characters per line (45-75 ch per line to be readable)
Multiple columns can opt for the 45-50 smaller lines.
Tracking/Letterspacing: - Sparse tracking - Condensed vs Expanded fonts - Reduce the header tracking slightly 3-5% - This gives the headers more impact - Keep the track of body, normally is set to - Increase tracking in smallcap or uppercase
- Kerning: horizontal overlap between letters depending on the shape: TAV
- Ligatures: some letters fuse when they are closed: fi fl
Vertical space
- Leading (line height, line spacing): distance between succesive base lines
- A good one would be a 150%.
-
For headings it won't work, should be reduces
-
Interparagraph space
Floating heading:
Design concepts
Hierarchy
Guide the reader towards what it is important. Where to begin and where to continue. Use size, weigth, color
Reduce to a couple of typeface using complementary styles.